It was just over two months since the surprise attack on Pearl Harbor and the outbreak of war with Japan, and local sentiment ran high against local Japanese and Japanese-American residents. “Oust Seattle Enemy Aliens” read the _Seattle Star_’s front-page headline on February 16th, 1942. Below: the Star's editors back Lippmann's position, calling his view "harsh" but "necessary."Ī Februarticle announcing that Japanese American citizens, along with alien Japanese, will be evacuated to internment camps. On Januthe Star defended itself against accusations it was fomenting hatred and urged readers to follow FDR's admonition against discrimination toward loyal aliens and foreign-born citizens.Ībove: syndicated columnist Walter Lippman's call for the removal of all Japanese from the Pacific Coast was featured in the Star on February 13, 1942, less than a week prior to FDR's executive order setting up the internment camps. Just weeks before he would establish the wartime interment camps, FDR spoke out against employers who were firing "loyal, efficient workers" who happened to have been born abroad. Photographs from the Seattle Star showing local "Axis Aliens" registering with the Federal government in early February, 1942. On Januthe Star reported increasing restrictions for Japanese and others hailing from Axis nations. In the wake of Pearl Harbor, Seattle authorities detained 51 "Japs." James Sakamoto, pictured in the Seattle Star on December 31, 1941. In it Sakamoto assures Star readers of the loyalty of the Japanese community to the United States. The December 8 issue also carried this article by Japanese American journalist and community leader James Sakamoto. Five days before the attack on Pearl Harbor, Clapper sounds the alarm about Japanese militarism.įront page from December 8, 1941, the day after the Japanese attack on Pearl Harbor. Star columnist Raymond Clapper, December 2, 1941. Starts: March 5.Front page of the Seattle Star on December 1, 1941 It is considered the most extensive painted record of the Florida Seminoles from the early 20th Century and helped preserve a simple vision of life that thrives today. “ Eugene Savage: The Seminole Paintings,” on view at the Frost Art Museum (10975 SW 17th St., Miami), features a vivid historical survey spanning two decades. Savage created a unique vision of the Seminoles’ daily struggles by employing bold colors and patterns in romantic scenes reminiscent of life in a natural paradise where people are in harmony with their surroundings. Inspired by the plight of the Seminoles, Savage spent the next 20 years documenting the tribe’s peaceful communion with nature amid the encroachment of urban strife threatening their traditions. Roosevelt to serve on the Commission of Fine Arts for his growing artistic contributions to our nation.īut it wasn’t until 1935, after a winter vacation in the Everglades with his wife, Mathilda, that Savage began capturing the customs of the Seminole Indians and left his biggest footprint on American history.Īt the time, a debate was raging between environmentalists who sought total protection of the Everglades and others defending Seminole culture. In the 1930s, Savage created socially conscious works on the campuses of Columbia, Yale, and Purdue and was later appointed by President Franklin D. During the Depression era, American painter and sculptor Eugene Savage earned national prominence with his WPA-style murals gracing the halls of some of America’s higher institutions of learning.
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